Occupy Toronto 2 Year Anniversary

is this coming Tuesday, October 15! Where 2 years ago we met, marched on the issues of Corporate Greed & Growing Inequality for the Occupy Movement. There is a film at Ryerson on Oct. 10th.  Last night we joined with Idle No More for an event on “Nation to Nation” as there was recognition of Aborginal Issues.(see article) Occupy Toronto was able to join with Stop the Cuts & OCAP in 2012 to stop some $ 30 million is Toronto Budget cuts to services that stand today! Provincially the New Democrats were able to use the balance of power to challenge the minority Liberals to tax those making more than $ 500,000 a 2% sur tax. http://www.cbc.ca/news/politics/idle-no-more-protests-mark-proclamation-s-250th-anniversary-1.1928276  ...

Occupy Toronto user pics

Occupy Toronto user pics

Some cool Occupy Toronto images: The Royal Canadian Navy Show: “Meet the Navy”: Herbert C. Barber Image by bill barber In 1943/44 my dad, who was enlisted in the Royal Canadian Navy, travelled with the Navy Show which was entitled, "Meet the Navy". Not sure he was actually in the cast, so I’ll have to pull his file at Archives Canada in Ottawa. Since he was a Certified Public Accountant, he might have watched the books. The show went across Canada by train. I know that Dad was not with the production that went overseas in 1945. Dad is second from the right in the above photo. Here’s the story of the Navy Show: From my Herbert Charles Barber Collection www.flickr.com/photos/21861018@N00/collections/7215760076… "Meet the Navy" was a Royal Canadian Navy musical revue produced during World War II under the supervision of Capt Joseph P. Connolly, director of Special Services for the RCN. Rehearsals began in June 1943 at Hart House in Toronto. The production staff and company were recognized officially, though somewhat after the fact, by a Government of Canada Treasury Board order-in-council, 13 Aug 1943, as ‘an Establishment to be known as "The Navy Show" for the… Entertainment of Naval, Army and Air Force personnel on Active Service; Promotion of recruiting; [and] Maintenance of public morale and goodwill’. The show itself, called "Meet the Navy" and directed by Louis Silver (a Hollywood producer) and Larry Ceballos (a Broadway choreographer), was premiered for servicemen 2 September at Toronto’s Victoria Theatre and opened to the public 4 September. It opened in Ottawa 15 September at the Capitol Theatre (Ottawa). During a year-long national tour, which covered some 10,000 miles by train, Meet the Navy entertained about a half-million Canadians. It travelled in 1944 to Britain, opening 23 October in Glasgow and touring England (11 cities in the provinces), Ireland, and Wales and playing at the Hippodrome in London (1 Feb-7 Apr 1945, including a command performance 28 February). Performances followed in Paris’ Théâtre Marigny, the Brussels Music Hall, and Amsterdam’s Carré Theatre. Meet the Navy closed 12 September in Oldenburg in occupied Germany. In 1945 the National Film Board produced the film Meet the Navy on Tour. Though plans for a Broadway run fell through, the show itself was filmed in November in Britain. Meet the Navy included skits, dance routines, and several songs: ‘In Your Little Chapeau,’ ‘Rockettes and the Wrens,’ ‘Brothers-in-Arms,’ ‘Meet the Navy,’ and ‘Beauty on Duty,’ all by R.W. Harwood (words) and P.E. Quinn (music); ‘The Boys in the Bellbottom Trousers’ by Quinn; ‘Shore Leave’ by Noel Langley and Henry Sherman (words) and Quinn; and the showstopper (sung by John Pratt) ‘You’ll Get Used to It’, with words by Pratt to music by Freddy Grant. Eric Wild (who conducted the pit orchestra) and Robert Russell Bennett arranged the music. Leading roles were taken by Pratt, Robert Goodier, Cameron Grant, and Lionel Merton. Other featured performers included Dixie Dean, Ivan Romanoff (who conducted a balalaika orchestra and a chorus in ‘Scena Russki’), Carl Tapscott (who did choral arrangements), the bass Oscar Natzke, and the dance team Alan and Blanche Lund. Members of the 25-piece orchestra included the violinists Victor Feldbrill, Bill Richards, and Joseph Sera, the trombonist Ted Elfstrom, and the saxophonist-clarinetist Howard ‘Cokie’ Campbell. After the London debut of Meet the Navy, Beverley Baxter wrote in the London Evening Standard: ‘Why is this piece so exhilarating, so completely satisfying and, since the first class always touches the emotions, why was it so stirring? Perhaps the answer is that quite outside the professional slickness and the terrific pace of the whole thing, we were seeing the story of Canada unconsciously unfolding itself to our eyes’. In 1980, to celebrate the 70th anniversary of the Canadian navy, the Nova Scotia government revived Meet the Navy with several members of the original cast. Phillips, Ruth. ‘The history of the Royal Canadian Navy’s World War II show Meet the Navy,’ unpublished manuscript (1973) Southworth, Jean. ‘Actor revives his wartime role,’ Ottawa Journal, 19 Aug 1980 From: The Encyclopaedia of Music in Canada www.thecanadianencyclopedia.com/index.cfm?PgNm=TCE&Pa… The Royal Canadian Navy Show: “Meet the Navy”: Herbert C. Barber Image by bill barber In 1943/44 my dad, who was enlisted in the Royal Canadian Navy, travelled with the Navy Show which was entitled, "Meet the Navy". Not sure he was actually in the cast, so I’ll have to pull his file at Archives Canada in Ottawa. Since he was a Certified Public Accountant, he might have watched the books. The show went across Canada by train. I know that Dad was not with the production that went overseas in 1945. Dad is second from the right in the above photo. Here’s the story of the Navy Show: From my Herbert Charles Barber Collection www.flickr.com/photos/21861018@N00/collections/7215760076… "Meet the Navy" was a Royal Canadian Navy musical revue produced during World War II under the supervision of Capt Joseph P. Connolly, director of Special Services for the RCN. Rehearsals began in June 1943 at Hart House in Toronto. The production staff and company were recognized officially, though somewhat after the fact, by a Government of Canada Treasury Board order-in-council, 13 Aug 1943, as ‘an Establishment to be known as "The Navy Show" for the… Entertainment of Naval, Army and Air Force personnel on Active Service; Promotion of recruiting; [and] Maintenance of public morale and goodwill’. The show itself, called "Meet the Navy" and directed by Louis Silver (a Hollywood producer) and Larry Ceballos (a Broadway choreographer), was premiered for servicemen 2 September at Toronto’s Victoria Theatre and opened to the public 4 September. It opened in Ottawa 15 September at the Capitol Theatre (Ottawa). During a year-long national tour, which covered some 10,000 miles by train, Meet the Navy entertained about a half-million Canadians. It travelled in 1944 to Britain, opening 23 October in Glasgow and touring England (11 cities in the provinces), Ireland, and Wales and playing at the Hippodrome in London (1 Feb-7 Apr 1945, including a command performance 28 February). Performances followed in Paris’ Théâtre Marigny, the Brussels Music Hall, and Amsterdam’s Carré Theatre. Meet the Navy closed 12 September in Oldenburg in occupied Germany. In 1945 the National Film Board produced the film Meet the Navy on Tour. Though plans for a Broadway run fell through, the show itself was filmed in November in Britain. Meet the Navy included skits, dance routines, and several songs: ‘In Your Little Chapeau,’ ‘Rockettes and the Wrens,’ ‘Brothers-in-Arms,’ ‘Meet the Navy,’ and ‘Beauty on Duty,’ all by R.W. Harwood (words) and P.E. Quinn (music); ‘The Boys in the Bellbottom Trousers’ by Quinn; ‘Shore Leave’ by Noel Langley and Henry Sherman (words) and Quinn; and the showstopper (sung by John Pratt) ‘You’ll Get Used to It’, with words by Pratt to music by Freddy Grant. Eric Wild (who conducted the pit orchestra) and Robert Russell Bennett arranged the music. Leading roles were taken by Pratt, Robert Goodier, Cameron Grant, and Lionel Merton. Other featured performers included Dixie Dean, Ivan Romanoff (who conducted a balalaika orchestra and a chorus in ‘Scena Russki’), Carl Tapscott (who did choral arrangements), the bass Oscar Natzke, and the dance team Alan and Blanche Lund. Members of the 25-piece orchestra included the violinists Victor Feldbrill, Bill Richards, and Joseph Sera, the trombonist Ted Elfstrom, and the saxophonist-clarinetist Howard ‘Cokie’ Campbell. After the London debut of Meet the Navy, Beverley Baxter wrote in the London Evening Standard: ‘Why is this piece so exhilarating, so completely satisfying and, since the first class always touches the emotions, why was it so stirring? Perhaps the answer is that quite outside the professional slickness and the terrific pace of the whole thing, we were seeing the story of Canada unconsciously unfolding itself to our eyes’. In 1980, to celebrate the 70th anniversary of the Canadian navy, the Nova Scotia government revived Meet the Navy with several members of the original cast. Phillips, Ruth. ‘The history of the Royal Canadian Navy’s World War II show Meet the Navy,’ unpublished manuscript (1973) Southworth, Jean. ‘Actor revives his wartime role,’ Ottawa Journal, 19 Aug 1980 From: The Encyclopaedia of Music in Canada www.thecanadianencyclopedia.com/index.cfm?PgNm=TCE&Pa… The Royal Canadian Navy Show: “Meet the Navy”: Herbert C. Barber Image by bill barber In 1943/44 my dad, who was enlisted in the Royal Canadian Navy, travelled with the Navy Show which was entitled, "Meet the Navy". Not sure he was actually in the cast, so I’ll have to pull his file at Archives Canada in Ottawa. Since he was a Certified Public Accountant, he might have watched the books. The show went across Canada by train. I know that Dad was not with the production that went overseas in 1945. Dad is second from the right in the above photo. Here’s the story of the Navy Show: From my Herbert Charles Barber Collection www.flickr.com/photos/21861018@N00/collections/7215760076… "Meet the Navy" was a Royal Canadian Navy musical revue produced during World War II under the supervision of Capt Joseph P. Connolly, director of Special Services for the RCN. Rehearsals began in June 1943 at Hart House in Toronto. The production staff and company were recognized officially, though somewhat after the fact, by a Government of Canada Treasury Board order-in-council, 13 Aug 1943, as ‘an Establishment to be known as "The Navy Show" for the… Entertainment of Naval, Army and Air Force personnel on Active Service; Promotion of recruiting; [and] Maintenance of public morale and goodwill’. The show itself, called "Meet the Navy" and directed by Louis Silver (a Hollywood producer) and Larry Ceballos (a Broadway choreographer), was premiered for servicemen 2 September at Toronto’s Victoria Theatre and opened to the public 4 September. It opened in Ottawa 15 September at the Capitol Theatre (Ottawa). During a year-long national tour, which covered some 10,000 miles by train, Meet the Navy entertained about a half-million Canadians. It travelled in 1944 to Britain, opening 23 October in Glasgow and touring England (11 cities in the provinces), Ireland, and Wales and playing at the Hippodrome in London (1 Feb-7 Apr 1945, including a command performance 28 February). Performances followed in Paris’ Théâtre Marigny, the Brussels Music Hall, and Amsterdam’s Carré Theatre. Meet the Navy closed 12 September in Oldenburg in occupied Germany. In 1945 the National Film Board produced the film Meet the Navy on Tour. Though plans for a Broadway run fell through, the show itself was filmed in November in Britain. Meet the Navy included skits, dance routines, and several songs: ‘In Your Little Chapeau,’ ‘Rockettes and the Wrens,’ ‘Brothers-in-Arms,’ ‘Meet the Navy,’ and ‘Beauty on Duty,’ all by R.W. Harwood (words) and P.E. Quinn (music); ‘The Boys in the Bellbottom Trousers’ by Quinn; ‘Shore Leave’ by Noel Langley and Henry Sherman (words) and Quinn; and the showstopper (sung by John Pratt) ‘You’ll Get Used to It’, with words by Pratt to music by Freddy Grant. Eric Wild (who conducted the pit orchestra) and Robert Russell Bennett arranged the music. Leading roles were taken by Pratt, Robert Goodier, Cameron Grant, and Lionel Merton. Other featured performers included Dixie Dean, Ivan Romanoff (who conducted a balalaika orchestra and a chorus in ‘Scena Russki’), Carl Tapscott (who did choral arrangements), the bass Oscar Natzke, and the dance team Alan and Blanche Lund. Members of the 25-piece orchestra included the violinists Victor Feldbrill, Bill Richards, and Joseph Sera, the trombonist Ted Elfstrom, and the saxophonist-clarinetist Howard ‘Cokie’ Campbell. After the London debut of Meet the Navy, Beverley Baxter wrote in the London Evening Standard: ‘Why is this piece so exhilarating, so completely satisfying and, since the first class always touches the emotions, why was it so stirring? Perhaps the answer is that quite outside the professional slickness and the terrific pace of the whole thing, we were seeing the story of Canada unconsciously unfolding itself to our eyes’. In 1980, to celebrate the 70th anniversary of the Canadian navy, the Nova Scotia government revived Meet the Navy with several members of the original cast. Phillips, Ruth. ‘The history of the Royal Canadian Navy’s World War II show Meet the Navy,’ unpublished manuscript (1973) Southworth, Jean. ‘Actor revives his wartime role,’ Ottawa Journal, 19 Aug 1980 From: The Encyclopaedia of Music in Canada www.thecanadianencyclopedia.com/index.cfm?PgNm=TCE&Pa… The Royal Canadian Navy Show: “Meet the Navy”: Herbert C. Barber Image by bill barber In 1943/44 my dad, who was enlisted in the Royal Canadian Navy, travelled with the Navy Show which was entitled, "Meet the Navy". Not sure he was actually in the cast, so I’ll have to pull his file at Archives Canada in Ottawa. Since he was a Certified Public Accountant, he might have watched the books. The show went across Canada by train. I know that Dad was not with the production that went overseas in 1945. Dad is second from the right in the above photo. Here’s the story of the Navy Show: From my Herbert Charles Barber Collection www.flickr.com/photos/21861018@N00/collections/7215760076… "Meet the Navy" was a Royal Canadian Navy musical revue produced during World War II under the supervision of Capt Joseph P. Connolly, director of Special Services for the RCN. Rehearsals began in June 1943 at Hart House in Toronto. The production staff and company were recognized officially, though somewhat after the fact, by a Government of Canada Treasury Board order-in-council, 13 Aug 1943, as ‘an Establishment to be known as "The Navy Show" for the… Entertainment of Naval, Army and Air Force personnel on Active Service; Promotion of recruiting; [and] Maintenance of public morale and goodwill’. The show itself, called "Meet the Navy" and directed by Louis Silver (a Hollywood producer) and Larry Ceballos (a Broadway choreographer), was premiered for servicemen 2 September at Toronto’s Victoria Theatre and opened to the public 4 September. It opened in Ottawa 15 September at the Capitol Theatre (Ottawa). During a year-long national tour, which covered some 10,000 miles by train, Meet the Navy entertained about a half-million Canadians. It travelled in 1944 to Britain, opening 23 October in Glasgow and touring England (11 cities in the provinces), Ireland, and Wales and playing at the Hippodrome in London (1 Feb-7 Apr 1945, including a command performance 28 February). Performances followed in Paris’ Théâtre Marigny, the Brussels Music Hall, and Amsterdam’s Carré Theatre. Meet the Navy closed 12 September in Oldenburg in occupied Germany. In 1945 the National Film Board produced the film Meet the Navy on Tour. Though plans for a Broadway run fell through, the show itself was filmed in November in Britain. Meet the Navy included skits, dance routines, and several songs: ‘In Your Little Chapeau,’ ‘Rockettes and the Wrens,’ ‘Brothers-in-Arms,’ ‘Meet the Navy,’ and ‘Beauty on Duty,’ all by R.W. Harwood (words) and P.E. Quinn (music); ‘The Boys in the Bellbottom Trousers’ by Quinn; ‘Shore Leave’ by Noel Langley and Henry Sherman (words) and Quinn; and the showstopper (sung by John Pratt) ‘You’ll Get Used to It’, with words by Pratt to music by Freddy Grant. Eric Wild (who conducted the pit orchestra) and Robert Russell Bennett arranged the music. Leading roles were taken by Pratt, Robert Goodier, Cameron Grant, and Lionel Merton. Other featured performers included Dixie Dean, Ivan Romanoff (who conducted a balalaika orchestra and a chorus in ‘Scena Russki’), Carl Tapscott (who did choral arrangements), the bass Oscar Natzke, and the dance team Alan and Blanche Lund. Members of the 25-piece orchestra included the violinists Victor Feldbrill, Bill Richards, and Joseph Sera, the trombonist Ted Elfstrom, and the saxophonist-clarinetist Howard ‘Cokie’ Campbell. After the London debut of Meet the Navy, Beverley Baxter wrote in the London Evening Standard: ‘Why is this piece so exhilarating, so completely satisfying and, since the first class always touches the emotions, why was it so stirring? Perhaps the answer is that quite outside the professional slickness and the terrific pace of the whole thing, we were seeing the story of Canada unconsciously unfolding itself to our eyes’. In 1980, to celebrate the 70th anniversary of the Canadian navy, the Nova Scotia government revived Meet the Navy with several members of the original cast. Phillips, Ruth. ‘The history of the Royal Canadian Navy’s World War II show Meet the Navy,’ unpublished manuscript (1973) Southworth, Jean. ‘Actor revives his wartime role,’ Ottawa Journal, 19 Aug 1980 From: The Encyclopaedia of Music in Canada www.thecanadianencyclopedia.com/index.cfm?PgNm=TCE&Pa…...

Nice Occupy Toronto photos

Nice Occupy Toronto photos

A few nice Occupy Toronto images I found: Battle Royal… over Image by Sweet One I wasn’t willing to wait 45 minutes in line to get in… so when I got back around 6 am, it was over! 🙁 Battle Royal, 2009 Shaun El C. Leonardo – New York City, USA Performance Art Inspired by Ralph Ellison’s The Invisible Man, 20 men will enter Toronto’s original bus depot with lingering art-deco design and step into a 17’ steel cage. Shaun El Conquistador Leonardo (artist and trained fighter) along with 19 of Canada’s elite pro-wrestlers will fight blindfolded until only one man is left standing. The match is an intense, theatrical recreation of the book’s opening scene also entitled Battle Royal. Occupying a space between literary representation, wrestling spectacle and art performance, Battle Royal is an unscripted event harkening back to the actual fight to-the-end bouts African Americans were encouraged to enter for prize winnings during post-slavery American South; while manifesting the artist’s own personal fear of societal invisibility. Beginning at 7pm members of the audience are invited to be blindfolded and escorted into the cage where they will have the opportunity to feel the intimidation and potential of aggression Battle Royal encompasses. Gradually, as the night reaches its peak, professional wrestlers will be introduced to the ring, initiating the action while the artist, Shaun El C. Leonardo, seeks to withstand the pain, embarrassment and discomfort of struggling in front of eyes without having sight himself. Battle Royal… over Image by Sweet One I wasn’t willing to wait 45 minutes in line to get in… so when I got back around 6 am, it was over! 🙁 Battle Royal, 2009 Shaun El C. Leonardo – New York City, USA Performance Art Inspired by Ralph Ellison’s The Invisible Man, 20 men will enter Toronto’s original bus depot with lingering art-deco design and step into a 17’ steel cage. Shaun El Conquistador Leonardo (artist and trained fighter) along with 19 of Canada’s elite pro-wrestlers will fight blindfolded until only one man is left standing. The match is an intense, theatrical recreation of the book’s opening scene also entitled Battle Royal. Occupying a space between literary representation, wrestling spectacle and art performance, Battle Royal is an unscripted event harkening back to the actual fight to-the-end bouts African Americans were encouraged to enter for prize winnings during post-slavery American South; while manifesting the artist’s own personal fear of societal invisibility. Beginning at 7pm members of the audience are invited to be blindfolded and escorted into the cage where they will have the opportunity to feel the intimidation and potential of aggression Battle Royal encompasses. Gradually, as the night reaches its peak, professional wrestlers will be introduced to the ring, initiating the action while the artist, Shaun El C. Leonardo, seeks to withstand the pain, embarrassment and discomfort of struggling in front of eyes without having sight himself. Image by John Brownlow Century farmhouse, Airport Road. Now occupied by a sikh family. The land around it is under is being developed as tract housing....

Cool Occupy Toronto images

Cool Occupy Toronto images

Check out these Occupy Toronto images: Image by Alex Cameron October 2011 Image by Alex Cameron October 2011 Image by Alex Cameron October 2011 Image by Alex Cameron October 2011 first night, already a food tent. well done!...

Cool Occupy Toronto images

Cool Occupy Toronto images

A few nice Occupy Toronto images I found: action 069 Image by andres musta action 044 Image by andres musta action 042 Image by andres musta action 051 Image by andres musta...

Occupy Toronto user pics

Occupy Toronto user pics

Check out these Occupy Toronto images: action 045 Image by andres musta action 061 Image by andres musta action 057 Image by andres musta action 068 Image by andres musta...

Occupy Toronto user pics

Occupy Toronto user pics

A few nice Occupy Toronto images I found: Truth on a Cardboard Image by El Mundo De LunAzul Hats Off Image by El Mundo De LunAzul...

More  Occupy Toronto photos

More Occupy Toronto photos

A few nice Occupy Toronto images I found: 01052012-_MG_9151.JPG Image by Fanagt 01052012-_MG_8960.JPG Image by Fanagt 01052012-_MG_9179.JPG Image by Fanagt Black Mask Action Feb 1967 Image by andres musta from the book Realizing the Impossible. (Macaphee & Reuland, ed.) photo by Dan Georgakas...

Cool Occupy Toronto images

Cool Occupy Toronto images

A few nice Occupy Toronto images I found: We are the 99% Image by Fanagt 01052012-_MG_8969.JPG Image by Fanagt 01052012-_MG_9218.JPG Image by Fanagt 01052012-_MG_9288.JPG Image by Fanagt...

Great Occupy Toronto images

Great Occupy Toronto images

Some cool Occupy Toronto images: 01052012-_MG_9047.JPG Image by Fanagt 01052012-_MG_9275.JPG Image by Fanagt 01052012-_MG_8948.JPG Image by Fanagt 01052012-_MG_9180.JPG Image by Fanagt...

Some more Occupy Toronto photos

Some more Occupy Toronto photos

A few nice Occupy Toronto images I found: IMG_4423 Image by Steve E. IMG_4412 Image by Steve E. IMG_4418 Image by Steve E....

Great Occupy Toronto images

Great Occupy Toronto images

A few nice Occupy Toronto images I found: IMG_4394 Image by Steve E. The Media Tent. Everyone twittering. Image by Steve E. IMG_4411 Image by Steve E....

IMG_4417

IMG_4417

Check out these Occupy Toronto images: IMG_4417 Image by Steve E. IMG_4415 Image by Steve E. IMG_4405 Image by Steve E....

More  Occupy Toronto photos

More Occupy Toronto photos

Some cool Occupy Toronto images: Anonymous Toke Image by luccast85 Fat Catz Image by luccast85 Corporate Greed Image by luccast85 Simple Sign Image by luccast85...

Some more Occupy Toronto photos

Some more Occupy Toronto photos

Some cool Occupy Toronto images: Passionate Debate Image by luccast85 A for Effort Image by luccast85 This one doesn’t make sense, I think he forgot the word "current". Dancing Image by luccast85 G20 Police Car-toon Image by luccast85 Memories of the burning Police cars during the G20...

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